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Both realized and non-realized/paper projects are eligible to be considered for National Selection.

DTM Expo: Regional Design Projects

What is it?

Regional Design Projects are intended to serve Region III student designers with the opportunity to showcase their work for non-realized paper/classroom design projects, and to receive response to their work that will help them improve their design skills and grow as designers. 

All entrants must be currently enrolled students of colleges and universities in Region III at the time of the festival.

Categories of entry include:

    • Costume Design
    • Lighting Design
    • Makeup Design
    • Scenic Design
    • Sound Design
    • Projection Design
    • (Wig/Hair Designs may be included as a Makeup Design entry.)

All entries must be original designs conceived and rendered by the entrant.

I’m going to go for it – How do I register?

  1. Register for the Festival
  2. Register for this event on the DTM registration page
  3. Prepare your materials and presentation

If entering more than one category, a separate form must be submitted for each entry.

Regional Design Projects List of Plays

Below is a suggested list of plays for the Regional Design Projects. A new list is announced each year. 

Classical

Tartuffe by Moliere by Richard Wilbur

 

Musical

The Wiz book by William F. Brown - Music by George Faison, Timothy Graphenreed, Charlie Smalls, Luther Vandross, Harold Wheeler - Lyrics by Charlie Smalls, Luther Vandross, Zachary Walzer

 

Modern Classic

An Enemy of the People adapted by Arthur Miller from Ibsen

 

Modern

The Cripple of Inishmaan by Martin McDonagh

 

BIPOC Playwrights

By the Way, Meet Vera Stark by Lynn Nottage (also female identifying playwright) 

 

Female Identifying Playwrights

The Last Daughter by Rachel Luann Strayer - Available through the New Play Exchange (https://newplayexchange.org/)

 

LGBTQ+

Perfect Arrangement by Topher Payne

Coming soon!

How to Prepare

Student designers are asked to prepare a display showing their design, and present it to a team of professional guest respondents at the Region III Festival. All designers will receive feedback in both an oral response session with a panel of design respondents and written response from regional faculty respondents.

Supporting materials that have proven most useful include combinations of the following: production photographs, a design statement in outline form, research images, preliminary sketches, white models, color models, color sketches, drafting including sections, magic sheets, recording of sound cues and manipulations that lead to those compositions, design bibles, story boards, costume plates, fabric and trim swatches, costume plot, cue synopsis, tracking sheets, and the like. This is in no way meant to be a definitive list. Choose elements that best articulate and document the conceptual approach, process, and the production. 

For more specific details, please visit the DTM How to Prepare page. 

Unrealized Design Projects at the National Festival

For the 2025 Festival, both realized and unrealized/paper design projects will be eligible for national selection. One student in each design discipline (Costume, Lighting, Projection, Scenic, Sound, and Projections) will be chosen from each region to attend the National Festival. 

At the National Festival, students will spend a week taking master classes from professional designers, presenting their design projects, and networking with student and professional designers from across the country. Students will be eligible for various professional learning opportunities, fellowships, and awards based on their projects and work during the festival. 

Faculty Written Responses

For any faculty interested in providing written responses to Regional Design Projects, please visit the Faculty Respondent page for more information. 

Special Recognition (Affiliated Awards):

In addition to recognition of outstanding work in each of the above categories, there are also additional special recognitions given at the Regional Festival. Each year offers different opportunities. Past opportunities have included a fully funded trip to the national United
States for Theatre Technology Conference, books from publishers such as Focal Press, a large theatrical makeup kit from Mehron, and many others. Recognition and awards will be announced and presented at the Festival Awards Ceremony on the last day of Festival.

Peggy Mead-Finzio

Peggy Mead-Finzio

Co-Chair Design, Technology, & Management

Associate Professor of Theater
Saginaw Valley State University
Curtiss Hall 188
Saginaw, MI 48604
989-964-7371

Ann Dasen

Ann Dasen

Co-Chair Design, Technology, & Management

Central Michigan University
Associate Professor of Costume Design and Makeup
Department of Theatre and Dance
Moore 152
(989)774-3262

Kim Instenes

Kim Instenes

Co-Vice Chair Design, Technology, & Management

Carthage College
Assistant Professor of Costume Design
Department of Theatre

Jeff Sherwood

Jeff Sherwood

Co-Vice Chair Design, Technology, & Management

Michigan Technological University
Assistant Professor of Sound Design
Visual & Performing Arts
1400 Townsend Dr
Houghton, MI 49931
906-487-2162

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